SHOWREEL

VIRTIA.
THE PERFECT WORLD

BARTLETT SCHOOL OF ARCHITECTURE. MARCH CINEMATIC AND VIDEOGAME ARCHITECTURE ACADEMIC WORK.

Modelled, animated and rendered solely by me in Blender.

HAIR HARVESTING FACILITIES

Virtia offers a critique of the social media economy through an allegorical lens, exploring the commodification of human interactions, attention, and data.

Inspired by dystopian visions, the project features three symbolic environments— the Desert of Dreams, Forest of Wisdom, and Lagoon of Love—creating the digital world of Virtia, where hair serves as the central currency.

THE PRIEST OF THE ORDER OF SOCIAL GOOD

Characters in Virtia reflect social media tropes and psychological archetypes.

All characters sculpted, modelled, rigged, textured and animated using motion capture by me in Blender.

HEADQUARTERS OF THE ORDER OF SOCIAL GOOD

HAIR STORAGE FIELDS

Due to the current limitations of technology, accurately and realistically replicating hair strands in the digital world remains a significant and resource intensive challenge.

THE TELEPATH

THE TELEPATH’S THRONE ROOM

THE TROLLS’ HABITAT

Flower both modelled and rendered in Blender and animated in Houdini by me.

THE MARKET

The Market serves as a dynamic representation of a social media feed, a digital landscape that is continuously reshaped by a relentless flow of advertisements and the diverse array of characters who inhabit it.

THE MODERATOR

These two scenes were manually animated using keyframes by me in Blender.

VIRTIA.
THE DESERT OF DREAMS.

BARTLETT SCHOOL OF ARCHITECTURE. MARCH CINEMATIC AND VIDEOGAME ARCHITECTURE ACADEMIC WORK.

Landscape generated and rendered in Unreal Engine, architecture created in Houdini.

TOLLESBURY MARSHES

BARTLETT SCHOOL OF ARCHITECTURE. MARCH CINEMATIC AND VIDEOGAME ARCHITECTURE ACADEMIC WORK

Animated and rendered by me using Unreal Engine with rock assets produced procedurally using Houdini.

Concept art. Simulated and rendered in Blender with assets from BlenderKit.

Environment creation in Unreal Engine.

THE LABORATORY OF TASTE

HIGH CUISINE RESTAURANT AND MUSEUM
LOCATION: LYON, FRANCE

BARTLETT SCHOOL OF ARCHITECTURE. BSC ARCHITECTURE YEAR 3 ACADEMIC WORK

Modelled and rendered by me using Rhino and V-Ray.

The passageway becomes an architectural trigger that opens a discourse not of food and consumption, but of taste and event.

THE TASTING ROOM

BREAD AND BUTTER ROOM

THE WINE BAR

CHAMPAGNE FLUTE

GROUND FLOOR PLAN

LONG SECTION

THE INSTITUTION OF DREAMS

PAVILION DESIGN
LOCATION: TRING PARK, TRING, UK

BARTLETT SCHOOL OF ARCHITECTURE. BSC ARCHITECTURE YEAR 3 ACADEMIC WORK

Modelled and rendered by me using Rhino and V-Ray.

The design of the pavilion is based on the novel by Arkady and Boris Strugatsky, «Monday Begins on Saturday» materialising the dream like experience.

PREDUBEZHDAI

Social media campaigns design.

Creted using Adobe Photoshop, Midjourney, Kling and Veo3.

THRYVE

Visual identity and packaging design for wellness brand.

GRAPHIC DESIGN WORK

Modelled and rendered in Blender and Photoshop.

INSIDE OUT

Visual identity and packaging design for sportswear brand.

GRAPHIC DESIGN WORK

MANA’ORA

Creative branding package and architectural visualisations for a yoga studio.

HAND DRAWINGS

THE WATER DIVINER

Social temple of aging: a hospice/community centre.

BARTLETT SCHOOL OF ARCHITECTURE , YEAR 2 ACADEMIC WORK
LOCATION: TOLLESBURY, UK

Modelled and rendered in Rhino and V-Ray.

Plan for the water filtration museum.

LOCATION: LONDON, UK

IDENTITY

BARTLETT SCHOOL OF ARCHITECTURE. MARCH CINEMATIC AND VIDEOGAME ARCHITECTURE ACADEMIC WORK

Modelled, animated and rendered in Blender.

ARINA VIAZENKINA

CONTACTS→ Email: arina.viazenkina@gmail.com → Phone: +447784700499 → Instagram: @aviazenkina

DIGITAL ARTIST

CONTACTS→ Email: arina.viazenkina@gmail.com→ Phone: +447784700499→ Instagram: @aviazenkina

CONTACTS
→ Email: arina.viazenkina@gmail.com
→ Phone: +447784700499
→ Instagram: @aviazenkina

CONTACTS
→ Email: arina.viazenkina@gmail.com
→ Phone: +447784700499
→ Instagram: @aviazenkina